SIAE Registration Protocol N° 2023/00696
Orcas
The Orca people can be generally compared to a blend of Maori-Polynesians society and members of the Orcininae biological subfamily.
Orcas are one of the fifty-five races of anthropomorphic mammals that populate Yanìs, and are grouped in the subgenus of Finned together with Dolphins, Seals, Whales and Walruses.
Physically, they are quite big, tall, and massive, with an average height that easily exceeds 8 feet and a weight that can reach and exceed two tons. They have a sharply contrasted black-and-white body, being mostly black on the upper side and white on the underside. Their dorsal fins exhibit sexual dimorphism, with those of males being more than twice the size of females', shorter and more curved. They have good eyesight above and below water, excellent hearing, and a good sense of touch. They also have exceptionally sophisticated echolocation abilities. Their hands and feet are webbed, with fingers joined by a thick layer of skin, and a tail fin accompanies their legs.
The Orca people have their homeland in the two Elo Ekho Salii islands, even though their myths speak of a legendary homeland, Hawaiki, which sank into the ocean at the time of the first deities. Most of the Orca people live in villages, which are inhabited by several whānau (families) who collectively form a hapū (clan). Orcas' society is broadly stratified into three classes of people: rangatira (ruling families), tūtūā (commoners), and mōkai (serfs). Tohungas too hold a revered standing, as specialists of arts, fight, and magic knowledge. Many hapū with mutually-recognized shared ancestry formed iwi, or tribes, which were the largest social unit in their people before the coming of the great Queen, who now rules the whole people together with the other two Queens.
The pivot of their social and artistic life is the wharenui (meeting house), embellished with large sculptures that illustrate the varied pantheon of their Ancestral Princes' children. Art is highly developed among Orca people, and the common motifs are very often religious, representing most of all Teeje, Kalaukeke, and Ayrus. Their wooden houses are often decorated with complex polychrome carvings, and the artistic practice of moko (face and body tattooing) represents one of the most significant and well-known traditions. Warriors use it to tell their own story, while females carry the traditional chin-mark to indicate they're related to a warrior. Another important socio-cultural manifestation is the haka dance, a composition played with many instruments: hands, feet, legs, tail, voice, tongue and fins, all play their part in bringing to completion the challenge, the welcome, exultation, or contempt intended in words. It's a disciplined yet emotional art.
They speak the Commal language, common to all Anthro mammal races, and the most commonly spoken language on the planet.
Religiously they are mostly devoted to Teeje (deity of navigation and piracy), Kalaukeke (deity of storms and competition), and Ayrus (deity of time and meditation), but they’re also widely devoted to traditional Druidic cults and Zantist ascetism’s self-spiritual research.
Their Ancestral Princes were Tinirau-mo-raka and Varima-te-takere, who taught their race that the ocean is not only their domain and homeland, but also their history and heritage. Fishing trips are their specialty; strength and physical might are their virtues. Their developed intelligence guides them towards the future, and their family, which grows and expands more and more, is their whole life. Although there are also those who prefer a solitary life, family is never forgotten, nor dishonored, nor disrespected.
Footnote
Typical of Orca people is the use of palhas-mo-khoa, a singular kind of trident polearm whose heads are not positioned side by side, but in front of each other, in a three-dimensional way.
